Friday 27 June 2014

10 Ways The DC Cinematic Universe Could Eclipse Marvel’s

The MCU might be way out in front, but DC have everything to ignite their own rocket and catch up soon enough.


No one could have predicted the success of the Marvel cinematic universe, but since Iron Man’s release in 2008 the franchise has consistently dominated multiplexes worldwide.


As more and more films are released by Marvel Studios, the box office intake keeps racking up and with Guardians of the Galaxy on the horizon, the company shows no sign of slowing down. Despite not owning the movie rights to their big guns – Spider-Man and the X-Men – Marvel Studios have successfully managed to create a business model that uniquely appeals to both hardcore fans and casual audiences in equal measure.

Pretty impressive, right?

While the rest of Hollywood have watched from the sidelines in envy, one particular company have been making small steps in the same direction, slowly planning their own bid for world dominance.

It’s been a long time coming, but DC Comics have finally unveiled plans to build a cinematic universe based on their iconic characters and the comic book world is very excited indeed.

Copying Marvel’s business model makes sense logistically and it could give DC the boost they need to match their greatest rivals, but if that’s the case, then the company have a lot of catching up to do. Marvel currently has the third and sixth most successful movies of all time in their back catalog (Avengers Assemble and Iron Man 3 respectively) and with a release schedule planned all the way up to 2028, Marvel is certainly prepared to maintain their market dominance.

Despite this though, a DC Cinematic Universe has huge potential and could even surpass the success of Marvel if handled right. Read on to discover 10 ways the DC Cinematic Universe could draw upon seventy-five years of classic storytelling to eclipse Marvel.


10. A Different Kind Of Hero
With the release of Action Comics #1 in 1938, the superhero genre was born. The first appearance of Superman kick started a concept that would entertain the world for generations to come, paving the way for countless stories of heroism. DC Comics became known for its all powerful, larger-than-life characters who were like gods in the making. By the 1960′s, Marvel rose to prominence by subverting these archetypes, instead creating flawed heroes who readers could relate to.

The comic book movie market is currently saturated with a wave of heroes molded in the Marvel way of thinking. Aside from the occasional Batman or Superman movie, the majority of cinematic superheroes depicted this generation have all been inherently human in their weaknesses and while this is key to the success of Marvel Studios, audiences may tire of this formula by 2028.

This is where DC come in.

Zack Snyder, the director of Batman V Superman: Dawn of Justice and The Justice League of America, describes DC’s heroes as “purer archetypes…they’re literally Biblical. If you get the DC characters right, they can be important, they can be about us. It’s not just a romp.”

DC has the potential to inspire audiences with stories of Godlike power and impossible feats, providing an alternative to the tales of social outcasts that have swamped cinemas in the past decade. While DC may be emulating Marvel’s business model, they are certainly not copying Marvel’s formula in the types of stories they tell, like some naysayers would suggest.

9. Beginner-Friendly

Many fans celebrate the fact that each new Marvel release builds upon the last, linking every movie through shared plot lines and cameo appearances. Clearly, this is a strength of the Marvel Cinematic Universe and it’s a key element that DC aim to emulate in their own releases, but this could also eventually become Marvels downfall later down the line.

Marvel Studios are currently in the middle of Phase 2 and already, certain plot elements rely on the viewers knowledge of previous movies to make sense. What will that situation look like fourteen years down the line, at the end of Marvel’s current projections?

Will audiences need to have seen every single one of their releases in order to keep up? This would arguably be a great way to keep viewers coming back again and again to their films, but aside from the hardcore fans, will anyone still care by that point? This is a problem that comic books themselves have faced time and time again, as their continuity becomes more and more convoluted with the release of each new issue.

Arriving late in the game may seem like a problem for DC, but arguably, this puts the company at a distinct advantage. For the first few releases at least, the back story of this new universe will be relatively simple in comparison to the Marvel canon, which is becoming more and more convoluted with each passing year.

Of course, DC’s universe will ultimately reach the same fate, but for audiences put off by Marvel’s game plan, movies like Batman V Superman: Dawn of Justice and Wonder Woman will seem more approachable initially.

8. Bring The Vertigo Imprint To The Big Screen

Comic book movies are a huge business right now and so understandably, studios are keen to appeal to the widest demographic possible. Aside from the occasional exception, this is why the majority of superhero films are rated suitable for children – but this only begins to scratch the surface of what comic books have to offer.

The Vertigo imprint of DC Comics is responsible for some of the most innovative and groundbreaking story telling that the medium has to offer. Ever since it was first founded in 1993, Vertigo has explored a range of adult themes such as profanity, sexuality and violence in an intelligent and engrossing way. The sheer volume of critically-acclaimed properties DC have access to through Vertigo is mind-blowing and the potential of these stories is huge. Imagine how incredible a Preacher or Fables movie could be if handled right…

While Marvel continue to produce family-friendly fare, DC could release a number of successful movies aimed solely at adults while simultaneously competing with the House of Ideas in the superhero blockbuster stakes, cornering both ends of the market. After years of languishing in development hell, an adaptation of Neil Gaiman’s Sandman saga is the first Vertigo property to finally be officially confirmed for release under the new business model, and with David S. Goyer, Joseph Gordon Levitt and Gaiman himself on producing duties, this version could be one the film fans have been dying to see for over two decades.

Whether it will link explicitly with the rest of the DC cinematic universe remains to be seen and whether it even should is up for debate, but what would be exciting is to watch DC create a Vertigo universe that runs parallel and perhaps even intersects occasionally with mainstream DC properties.

7. Link With The TV Shows

Marvel may be ahead of the game in their bid to create a cinematic universe, but DC are trailblazing on the small screen. Arrow has recently been renewed for a third season and has already developed a spin-off in the form of The Flash, which is due to be aired later this year. The Batman prequel show Gotham is picking up a lot of buzz and Constantine could be a huge hit if it stays more faithful to the original Vertigo comics than the Keanu Reeves movie did.

Linking Arrow and The Flash together could herald the start of a cohesive DC universe which eventually combines events in the movies with the TV shows. Plot points that originate in the Gotham series could be expanded upon in later Batman movies and even Constantine could link with big screen Vertigo adaptations such as The Sandman. The possibilities are endless…

Of course, Marvel has already begun to make strides in this area with their TV show Agents of S.H.I.E.L.D., which features explicit links with their cinematic universe. Further shows have also been announced which are heading directly to Netflix and these will focus on street level heroes such as Daredevil and Jessica Jones.

DC currently have the upper hand here as Arrow has been a far bigger success than Agents of S.H.I.E.L.D., although only time will tell whether they can exploit this to their advantage or whether Marvel will come out on top with their new small screen endeavours due out later next year

6. Strongest Female Character

It’s a travesty that Hollywood has so far been unable to produce a successful comic book movie starring a female super hero. As previously discussed here, there are a number of popular super-powered women who deserve their own time in the spotlight, but if only one could be chosen, then there is no question who that should be.

While Marvel continue to flirt with the idea of a solo Black Widow or Ms. Marvel movie, DC are striding forward with the official casting of Gal Gadot as Wonder Woman in the upcoming movie Batman V Superman: Dawn of Justice. As the definitive super heroine, Wonder Woman has long been overdue a cinematic debut, but with DC’s plans now officially set in motion, it looks like fans won’t have to wait much longer.

Gadot has currently signed a three picture deal for the role of the Amazonian Princess and so it’s looking increasingly more likely that Wonder Woman will finally star in her own solo venture, as well as a Justice League of America movie. This is huge for DC, as a successful Wonder Woman picture would be a landmark event in the world of comic book movies.

Ultimately, Marvel may have its own fair share of powerful female characters, but none possess the iconic status and worldwide appeal of Wonder Woman, and this would certainly give DC an upper hand in their ongoing rivalry

5. DC Own All Their Properties

A key component of Marvel’s success on the big screen is their ability to integrate their heroes into one cohesive universe, allowing favourite characters to cross over and appear in each others movies.

However, it looks unlikely that Marvel will ever be able to combine all of their hottest properties into one blockbuster event due to frustrating legal issues regarding ownership. Sony have control over the Spider-Man franchise and Fox Studios own both the X-Men and the Fantastic Four, meaning that a crossover between Marvel’s biggest guns seems almost impossible any time in the near future.

Bizarrely, the lines have blurred somewhat recently in the case of one particular Marvel superhero; the mutant Quicksilver was memorably played recently by Evan Peters in X-Men: Days of Future Past, a movie produced by Fox, but this has not stopped Marvel from casting Aaron Taylor-Johnson in the same role for the upcoming movie Avengers: Age of Ultron.

This unique scenario is due to the characters complicated history in the comics, but the impact of this is yet to be determined. Will casual cinema-goers become confused by different portrayals of Quicksilver appearing so soon after one another and more importantly, will comparisons cast the weaker role in a bad light?

Unlike its competitor, DC owns the movie rights to all of its characters, so fortunately, the company will never have a problem connecting different properties within its cinematic universe. This gives the scriptwriters a far wider scope of material to draw upon, allowing them to eventually adapt huge crossover events such as Identity Crisis and Crisis on Infinite Earths, fulfilling the dreams of fanboys everywhere.

4. Batman V. Superman: Dawn Of Justice Is A Fanboy’s Dream

Ever since two superheroes first fought over some contrived misunderstanding, comic book fans everywhere have got a kick out of seeing their favourite characters beating the hell out of each other. In recent years, Marvel’s most popular crossover event was Civil War, a storyline that divided the heroes into two camps who basically waged all-out war on each other.

DC’s next movie, Batman V Superman: Dawn of Justice, is being marketed as a slug fest between the two most iconic superheroes on the planet, but whether you think it’s a gimmick or not, it’s hard to deny that this is an extremely exciting prospect nonetheless. One of the most thrilling moments in Avengers Assemble was the face off between Iron Man, Captain America and Thor, but unfortunately, the heroes quickly put aside their differences after one short scene.

Despite sharing the same goals, Batman and Superman have always had a tumultuous relationship in the comics due to their conflicting ideologies and the complexity of their relationship makes them the ideal heroes to pair together in one film. The idea of pitting two characters together as a central plot device is unprecedented in comic book movies and while they will inevitably unite in the end, the reality of finally seeing such a fight on the big screen will be too tempting for even casual cinema-goers to ignore. If handled right, combining Batman and Superman together could take comic book movies to another level, surpassing even Avengers Assemble in box-office terms.

Let’s just hope Chris Terrio’s screenplay can devise a believable way to match the two heroes in terms of power and ability. Otherwise, we could be looking at a bat-shaped smudge on the wall ten minutes into the movie

3. Successful Track Record

It’s easy to forget now, but for many years, DC were leading the way for comic book movies. Long before Kevin Feige became the mastermind behind the Marvel Cinematic Universe, DC had a number of hugely successful films, dating back to the release of Batman: The Movie in 1966.

Since then, Christopher Reeve’s take on Superman has become an iconic part of pop culture and Tim Burton’s Batman movies enjoyed huge success in the 1980′s and 1990′s. The popularity of comic book movies waned for some time after the debacle of Batman & Robin, but in 2005, Christopher Nolan took the reins and made one of the most popular and well-received comic book movie trilogies of all time, starting with Batman Begins.

While there have been some duds along the way – including the likes of Catwoman and Green Lantern – DC have certainly had more hits than misses and for the most part, these are the films which forced audiences to reevaluate their opinion of comic book movies, so that they are now no longer seen as childish entertainment by the masses.

Just imagine if Nolan could have incorporated other DC characters into quality movies such as Batman: The Dark Knight. With the advent of DC’s cinematic universe, the restrictions have finally been lifted and the company’s impressive track record could become even greater now that the movies have the potential to be connected

2. The JLA Could Eclipse The Avengers

Avengers Assemble is the most successful Marvel film to date, no question. The entirety of Phase 1 was essentially one giant plan to bring Earths Mightiest Heroes together, and the result succeeded wildly beyond anyone’s expectations. So much could have gone wrong, yet Joss Whedon’s first foray into the world of Marvel movie making is loved by the vast majority of fans and from the studios point of view, it’s also made more money than any other film… that’s not been directed by James Cameron of course.

Marvel is set to repeat this success again with the release of Avengers: Age of Ultron in 2015 , so it makes sense for DC to consider emulating this approach in the formation of their own cinematic universe. Plans are already set in motion to phase new characters into the upcoming DC films to prepare for the release of the Justice League of America, a team that combines all of the company’s most popular properties into one group.

Here’s where it gets really exciting though.

The Avengers may be Marvels premier team, but some of the company’s most popular characters such as Wolverine and Spider-Man are unlikely to ever share the big screen with them due to legal rights. On the other hand, DC’s Justice League of America could potentially feature every single one of the company’s heavy hitters in one movie. Superman, Batman, Wonder Woman, Green Lantern, the Flash, Aquaman, Martian Manhunter… the list is endless.

For fans of DC comics, this movie could literally be a dream come true and if there is one movie that could conceivably eclipse the success of the Avengers franchise, then it’s the JLA

1. The Holy Trinity

It’s hard to imagine now, but just five years ago, only a few people who didn’t read comics had heard of Iron Man. Today of course, that’s a different story and this is due almost entirely to the success of the Marvel Cinematic Universe. Other previously lesser-known characters such as Captain America and Thor have also become important figures in pop culture now due to the popularity of their movies, but this is still a relatively new phenomenon.

Just imagine what DC can do with three of the most iconic superheroes ever created…

When you think of a female superhero, Wonder Woman is the first one that comes to mind, while Batman is easily one of the most popular characters created in the 20th century and finally, let’s not forget that Superman’s logo alone is universally recognisable to essentially every human being on the planet.

In seventy-five years, these three characters have become forever embedded in pop culture and without their legacy, there simply would be no super heroes, or at least not in a form recognisable to us today. Aside from Iron Man, Marvel’s most iconic characters are in fact Spider-Man and Wolverine, neither of whom are actually part of the same cinematic universe. Marvel may be ahead at the moment in terms of their movies at least, but DC is the company that started it all, and now they have their own game plan – the opposition need to watch out.

Introducing Wonder Woman in Batman v Superman: Dawn of Justice is a smart move that will remind audiences of the company’s legacy and the power of their iconography. Just these three heroes alone could give DC a fighting chance of toppling Marvel at the box office. It’s certainly not a done deal yet though and fans will have to wait until 2016 to gauge any sort of outcome. Marvel have ruled unchallenged for some time now, but they will need to consider their next move very closely now DC are in the game




Monday 23 June 2014

The Top Movie's That Ended Up Being a Big Disappointment.

The Matrix Revolutions

The third installment in the Wachowski siblings' cyberpunk trilogy had a lot riding on it. The first film was a cult classic, thanks to its reality bending plot and iconic use of bullet time. The second movie, "The Matrix Reloaded," lost some of the subtlety of the first, but fans hoped that the final film in the trilogy would combine the big-budget special effects of the second film with the thought-provoking elements of the first. Unfortunately, "The Matrix Revolutions" was a convoluted finish to the trilogy. With big questions left unanswered, "The Matrix Revolutions" failed to respect its own premise, instead becoming a generic sci-fi action movie with forgettable explosions.


Miami Vice


In this 2006 action movie, director Michael Mann attempted to breathe new life into his 1980s TV crime series about undercover Florida cops. Trying to recycle his own original story into a different medium proved a little tricky for Mann. The movie version plays out like a pale imitation of the TV show, drawing unfortunate comparisons to the slicker, smarter series. While Jamie Foxx and Colin Farrell turn in strong performances as Tubbs and Crockett, "Miami Vice" has all the style of the show, but not as much substance. Mann could have benefited from going in a new direction.

Quantum of Solace

As the second movie to feature Daniel Craig's taciturn, mysterious James Bond, "Quantum of Solace" is a mostly forgettable film that fails to embrace the qualities fans know and love. Shedding the campy humor of the original Bond films, yet losing the sleekness of the "Casino Royale" remake that put Agent 007 back on the map, "Quantum of Solace" is rambling and aimless. Although a decent action movie overall, it makes a poor addition to the Bond legacy it was a bad mistake to make a sequel follow up story to the first one, instead should of been a new story.


Spider-Man 3

The third movie in any trilogy has the potential to either tie up the series in a satisfying way or fall flat. Sadly, "Spider-Man 3" opts for the second strategy. The movie is overambitious, attempting to cram too many bad guys and too many battles into a single sitting. Even with its long run time, "Spider-Man 3" fails to resolve the many conflicts it throws at its hapless superhero. While trying to end the series with a bang, director Sam Raimi made "Spider-Man 3" a little too flashy and a little too unfocused. real disappointment with the character venom not enough screen time poorly executed for the character.

X-Men Origins: Wolverine

The true power of the "X-Men" franchise derives from its colorful ensemble cast. This film attempts to capitalize on the overwhelming popularity of Hugh Jackman's gruff, muscle-bound Wolverine, with mixed results. The philosophical questions raised by Bryan Singer's "X-Men" films end up abandoned in favor of a less controlled plot. Despite Jackman's compelling screen presence, the movie doesn't do Wolverine justice.


Indiana Jones and the Kingdom of the Crystal Skull"

At an advancing age, Harrison Ford is as charismatic as ever. However, even the most dashing leading man can't go up against his younger self without drawing unflattering comparisons. Despite staying in great physical shape, Ford's age is on full display in "Indiana Jones and the Kingdom of the Crystal Skull." Trying to shoehorn Ford into the very same action scenes he played in his 30s doesn't work for this cheesy adventure flick, and neither does a confusing plot involving aliens.
Some of these movies were sequels struggling to meet the expectations set by an amazing first film, while others just struck the wrong chord with audiences and critics. Whatever the case, these 10 action movies missed the mark.

Superman Returns"

Superman is arguably the most famous superhero of all time, and a 21st century reboot of the beloved films starring Christopher Reeve already had some big shoes to fill. Director Bryan Singer assumes that audience members have all seen the original films, so few of the characters and ideas are explained or developed. Add to this a weak story and dull execution, and filmmakers have a recipe for disaster this is why this film failed just didn't living up to the hype or Christopher reeve superman.


The Hangover Part III"

Everyone fell in love with "The Hangover," a wacky comedy following a group of groomsmen as they try to piece together their drunken night in Vegas. Part II is not quite as good as the first, but the story following the group as they head to Thailand for a wedding still manages to draw a few laughs. The third installment, however, seems like no more than a forced milking of a Hollywood cash cow as it features few good jokes and a wild story-line.


Godzilla (1998)

Despite the solid casting this film had it just couldn't stop this film from failing with not just its story-line of having hundreds of these small Godzilla's but the look just wasn't the Godzilla that fans wanted.Maybe they should of stuck to the original design & better story this film might of worked.


Paranormal Activity 4

These film had promise from the start, the first two film were pretty scary, the third film was ok, but then when it came to paranormal activity 4 & paranormal activity: mark one spin off sorry these film became repetitive & boring just weren't scary at all. Paranormal activity 4 rip off grave encounters with special effect of the demons in a way, so ya these fim just just become ghosts & die out because there no longer entertaining.

Ghost Rider 2 Spirit of Vengeance 

This was a big disappointment, it just didn't live up to the origin it wasn't the squeal we deserved, it was completely missing the edge the first film had, it felt cheaply made & rush, if they had just kept this sequel like the first film i think this film would of been so much better for its story line.


Skyline

This film had so much potential to be a great Sc-fi film but seriously failed on the story-line,The C.G.I was brilliantly done, the alien design was fantastic but it wasn't enough to make this film brilliant. The ending should of been the beginning of the film it could made for a better film.

Taken 2

Didn't quite live up to the success of the first film, it was to slow it felt like a rehash of the first film but poorly executed, as the story & character writing just made Liam Neeson look old for the role it came off on screen, it just was no where as good as the first film. 

Sylvester Stallone Finally Doing Rambo V?

By Gabe Toro (Cinema blend)

You might have thought that Sylvester Stallone was done with Rambo. And you'd be wrong: Stallone played the character four times, seemingly closing the book on the iron-willed warrior with 2008's Rambo. Now that he's approaching seventy, he couldn't possibly be believable as the hero again, would he? If there's anything his career has taught us, it's that you probably shouldn't bet against Sly. John Rambo is back.

Coming Soon translated a press release from Splendid Film that revealed a fifth Rambo is indeed in the works.

"With Rambo V Sylvester Stallone returns in his iconic role. This time he goes up against a Mexican cartel. Stallone, who has also written the screenplay, describes the new Rambo as his version of No Country for Old Men. Like the last film, Rambo V is produced by Avi Lerner (The Expendables 1-3)

 If Millennium Films have agreed to continue their mutually-beneficial relationship with Stallone and make Rambo V as early as next year, this is news. Stallone can't wait around for films like this, and while a drama compared to No Country For Old Men wouldn't be too taxing on Stallone, he can't pull off "badass grandpa" for much longer.

 That being said, the neo-western angle to Rambo has been floated before as a possible option, so clearly Stallone is high on the idea. But is there really any money in another Rambo? The fourth film grossed $113 million, twenty years after Rambo III pulled in $189 million (not adjusted for inflation), and was seen, and marketed, as Stallone's final farewell to the character. It even ends in a way that brings closure to the Rambo saga, suggesting a man at peace with his creation.

 Or "creation," as Stallone has since wrestled complete control over John Rambo from David Morrell, the writer of First Blood. Stallone's Rambo not only lives at the end of First Blood, but he goes on to become a mascot for the armed forces, a complete violation of what he represented in that original film. Rambo returned the self-doubt and murky morality to the character, but he was still an invincible superman, and the film seems like it's halfway about Stallone as much as it is about Rambo.

 Regardless, a fifth Rambo makes just as much sense as a fifth Terminator or a fifth Die Hard, so why stop now? It's all mirrors, this endless sense of reflection these cinematic heroes pursue. A vain desire to see themselves continue to produce the same heroics, continue to exist in the halcyon days of the past when they towered over bad guys and fired the biggest guns. Stuff like Rambo (which Stallone wrote, directed and starred in) feel more like extra-expensive home movies, utilizing several bits of footage from earlier films and re-asserting the strengths and abilities of these heroes from yesterday. Stallone seeks success in this summer's The Expendables 3, and if this report is to be believed, he's finally looking at a humble end for one of his characters, at least judging by the comparison to the Coen brothers-Cormac McCarthy team-up. Maybe then yesterday's action heroes can finally find solace in old age, and not just endless gunfire.

Monday 2 June 2014

Splinter Cell adaptation Film Coming soon


Doug Liman has been discussing what we can expect from his forthcoming Splinter Cell adaptation, and has confirmed that Tom Hardy will be playing a younger version of the franchise's hero, Sam Fisher.

"Everything about Splinter Cell will be younger," reveals Liman. "It’s a chance to come up with a new franchise that is fresher and newer and younger, and Tom Hardy is such an incredible actor."

"I’m working on the script with Tom," continues the director. "I think we have a great take on how to make an awesome film out of it."

So just how much of a nod can we expect towards the film's videogame roots? Enough to appease the fans, apparently, without being too slavish an adaptation…

"Some of the tropes of the game will for sure be in the film," confirms Liman, "but also the fun of that is when you lose them. To strip that stuff away and really make the character have to operate without it."

Splinter Cell
is currently in development, with a release date to be confirmed in due course.